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As Hollywood takes banal of the best means to alter its ranks, Chris Chalk implores the industry not to balloon the bristles and architecture trailer. The charge for added assortment in the bristles and architecture administration is generally discussed back Black women like Gabrielle Union, Yvette Nicole Brown or Nia Long allege out about their adventures in the industry, but the struggles extend to the men in Hollywood too.
“There is such a apathy of Black men’s hair. I anticipate they apperceive they be messing up Black women’s hair,” Chalk says during the Variety “#Represent: Black Men in Hollywood” roundtable. “I anticipate they attending at that and go, ‘Ah!’ But us? They actually think, ‘Oh, I did it!’”
The “Perry Mason” amateur recalls actuality upgraded to alternation approved cachet on a television project, and branch into the bristles and architecture bivouac for the aboriginal time.
“Homegirl, this white lady, she broke my head,” Chalk says. “She broke it, sprayed some water, didn’t besom it, didn’t adjust it and left. And I was like, ‘Oh wild!’ And again that happened to the point breadth my wife started acid my bristles [because] I didn’t appetite to be affluent and buy a barber, like I should have.“
“But again the abutting division — to allege to the acceptable of that appearance — the producers said, ‘Hey, is there annihilation you would like to address?’ I said, ‘Yeah! Your bristles is hella racist, bro! Aloof so you should know. I’m not mad yet, but like that s— is hella racist!’”
Discomfort in the bristles and architecture bivouac is a activity anniversary of the actors aggregate for the aboveboard altercation — Aldis Hodge (“City on a Hill”), Derek Luke (“13 Reasons Why”), Jay Pharoah (“Saturday Night Live,” “Bad Hair”) and Algee Smith (“Euphoria”) — say they accept accomplished to some admeasurement during their careers. And because it’s such a accepted experience, Hodge says that accepting added assortment into the bristles and architecture bivouac is aloof as important as hiring Black writers to accompany Black belief to the screen.
“I’m activity to beginning this by saying, ‘No, you don’t accept to be Black to proficiently assignment on Black audience back it comes to bristles and makeup,” Hodge says. “But, there is a application that is not accustomed to Black men and women back it comes to the bristles and architecture trailer. And there’s a abridgement of application back it comes to the birth of accepting Black casting associates appear on and giving them the ambiance to win, to thrive.”
“When you go into the bristles and architecture bivouac with somebody who has never done or affected a Black arch afore and they don’t apperceive how to handle your hair, because it is a altered texture, altered grade,” he continues. “And again you got to sit there for hours, [with] somebody arena in your bristles and authoritative you attending all the way jacked up, and again you got to go on set, annoying about how you’re looking, or a architecture artisan does your makeup, [and] your face is altered than the blow of your body, mentally, what does that do to somebody who’s aggravating to do their job? For us, these are our capital workers. My barber, Art Williams, is essential.”
Aldis Hodge and his beautician Art Williams Courtesy of Aldis Hodge
And it’s not aloof about the attempt to get able haircuts, Luke addendum the banking accountability of accepting to pay for a abstracted barber, as able-bodied as the catechism of accepting the bristles and architecture administration administer the barber’s assignment on the actor’s bristles and bristles for chain purposes.
“I had to pay for the barber, because back barbers appear to see you at the auberge [on location], it’s a altered amount than activity [to them],” Luke explains, administration addition wrinkle. “That’s a accomplished affair too, about barbers and how you bastard them in the union. And what acclaim they get back they’re on set. And it’s such a abstruse mission to get a beautician on set and again they can cut central your [personal] trailer. But if it ain’t acceptable ablaze in your trailer, alike admitting they got skills, it’s suspect.”
Derek Luke and beautician Jacki Brown (@jackibrowngrooming) Courtesy of Derek Luke
Hodge says he’s additionally struggled to advice get his beautician into the abutment so he can cut bristles on set. In fact, he recalls that for one job, he would drive to get his bristles cut alert a anniversary afore branch to work, while his white casting mates were taken affliction of on set.
“The bigger picture, it’s walking into an ambiance that 99 percent [of the bodies there] doesn’t represent or attending like you,” Hodge says. “You’re accomplishing your job to the best of your ability, because you accept accustomed consideration. Now, breadth is that aforementioned application for you? Why are the accoutrement needed, the assets needed, appropriate for you to do your best assignment not provided?”
He continues: “And back you airing into a bearings breadth it aloof smacks of the actuality that you’re not considered, it is spiritually and emotionally taxing. Because bristles and architecture is not the alone breadth area it is majorly defective back it comes to activity to assignment every distinct day to do a job that you adulation to do, alive in an ambiance that is consistently reminding you that you’re not as important as anybody abroad there, alone because you’re Black. And we’ve got to airing with that for the blow of the world.”
Watch the abounding “#REPRESENT: Black Men in Hollywood” roundtable altercation below.
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